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The abhoga and its 'signature'

  • Author :Chandorkar, Vijaya
  • Keywords :Musical compositions
    Music
  • Issue Date :1999
  • Publisher :Sangeet Natak Akademi, New Delhi
  • Description :The present article attempts to provide linkages in the practice of appending 'signatures' to musical compositions. It is, however, a very brief exploration of this theme, and limited in its scope. The word 'abhoga' means expanse, extension. Abhoga has an ancient past; its future, however, is uncertain, because the antara of Khyal is often neglected by singers of the present day. The significance of composition has diminished in a svara-dominated Khyal, and composers' signatures are not often to be found in Khyal compositions of recent times.
  • Source :Sangeet Natak Akademi
  • Type :Article
  • Received From :Sangeet Natak Akademi
DC Field Value
dc.contributor.author Chandorkar, Vijaya
dc.date.accessioned 2017-07-10T22:30:35Z
dc.date.available 2017-07-10T22:30:35Z
dc.date.issued 1999
dc.description.abstract The present article attempts to provide linkages in the practice of appending 'signatures' to musical compositions. It is, however, a very brief exploration of this theme, and limited in its scope. The word 'abhoga' means expanse, extension. Abhoga has an ancient past; its future, however, is uncertain, because the antara of Khyal is often neglected by singers of the present day. The significance of composition has diminished in a svara-dominated Khyal, and composers' signatures are not often to be found in Khyal compositions of recent times.
dc.source Sangeet Natak Akademi
dc.format.extent 57-60p.
dc.format.mimetype application/pdf
dc.identifier.uri http://hdl.handle.net/123456789/3940
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Musical compositions
Music
dc.type Article
dc.identifier.issuenumber 133-134
dc.format.medium text

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