Description :Present article is about the focused on concept of raga. The verbal meaning of raga is quite transcended and the literal meaning of the word raga is well-known. Raga· form is not the only content of a classical music recital, no raga, as projected in music, has a rigidly identical look for every musician, critic, or rasika. The rasika or the critic too, depending on whether he inclines more to grammar and musicology or toaesthetic relish, may look upon a raga as an adroit manipulation of some specific swaras or as the potent locus or spring of a particular rasa.
Description :Reproduced from Sruti, Issue 80 May 1991
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Saxena, S. K.
dc.date.accessioned
2017-07-09T21:46:54Z
dc.date.available
2017-07-09T21:46:54Z
dc.description
Reproduced from Sruti, Issue 80 May 1991
dc.date.issued
1991
dc.description.abstract
Present article is about the focused on concept of raga. The verbal meaning of raga is quite transcended and the literal meaning of the word raga is well-known. Raga· form is not the only content of a classical music recital, no raga, as projected in music, has a rigidly identical look for every musician, critic, or rasika. The rasika or the critic too, depending on whether he inclines more to grammar and musicology or toaesthetic relish, may look upon a raga as an adroit manipulation of some specific swaras or as the potent locus or spring of a particular rasa.