Fabric of aamad: a study of form and flow in Hindustani music
Author :Saxena, Sushil Kumar
Keywords :Hindustani music--Aesthetics
Hindustani music--Instruction and study
Issue Date :1970
Description :This Paper is, in the main, an analysis of aamad. It seeks to understand what aamad 'means' and how it 'works'. As an enquiry after the meaning of a word of musical discourse, the essay is aesthetical-: and as an investigation into how aamad works - that is, how it designs itself and bewitches us in actual listening - its concern is with an aspect of musical technique. My manner is analytical; and I seek throughout to verify points of theoretical interest in terms of our actual experience of music. Emphasis on verifiability and its passion for details are two important features of Science today.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Saxena, Sushil Kumar
dc.date.accessioned
2017-06-19T04:55:49Z
dc.date.available
2017-06-19T04:55:49Z
dc.date.issued
1970
dc.description.abstract
This Paper is, in the main, an analysis of aamad. It seeks to understand what aamad 'means' and how it 'works'. As an enquiry after the meaning of a word of musical discourse, the essay is aesthetical-: and as an investigation into how aamad works - that is, how it designs itself and bewitches us in actual listening - its concern is with an aspect of musical technique. My manner is analytical; and I seek throughout to verify points of theoretical interest in terms of our actual experience of music. Emphasis on verifiability and its passion for details are two important features of Science today.
dc.source
Sangeet Natak Akademi
dc.format.mimetype
application/pdf
dc.identifier.uri
http://hdl.handle.net/123456789/2838
dc.language.iso
en
dc.subject
Hindustani music--Aesthetics
Hindustani music--Instruction and study
Government of India
