Description :This paper disscussion based on the following points. i) Allegory about the birth of drama ii) The role of imagination as the essential characteristic of Indian drama iii) Integral evolution of Indian dramatic forms as distinct from Greek and Roman forms iv) Evolution of the concept of Lalit Kala v) The development of technique In the classical theatre and the essentially Indian concept of Sutradhara vi) The unity of actors and audience as another essentially characteristic Indian form vii) Summing up of the position until the 18th century viii) To what extent our residual tradition has assimilated the influence of the West inform and content ix) What is the exact nature of the conflict between our old surviving tradition and the new European theatre and why we have failed to absorb good foreign influence x) Is the failure to achieve the synthesis between the old Indian Theatre and the European drama due to the inability of writers and artists of India or is it due to some other factors of an ideological psychological or material kind? xi) How to benefit from Western methods xii) What actually happened in the West xiii) Is it possible to follow the West by founding a chain of theatres and by mounting plays on the Western pattern xiv) The virtue of the amateur xv) The necessity of learning the technique of the theatre
"
Description :The First Drama Seminar (III): New Delhi, 1956
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Anand, Mulk Raj
dc.coverage.spatial
India
dc.date.accessioned
2017-07-11T23:04:26Z
dc.date.available
2017-07-11T23:04:26Z
dc.description
The First Drama Seminar (III): New Delhi, 1956
dc.date.issued
2004
dc.description.abstract
This paper disscussion based on the following points. i) Allegory about the birth of drama ii) The role of imagination as the essential characteristic of Indian drama iii) Integral evolution of Indian dramatic forms as distinct from Greek and Roman forms iv) Evolution of the concept of Lalit Kala v) The development of technique In the classical theatre and the essentially Indian concept of Sutradhara vi) The unity of actors and audience as another essentially characteristic Indian form vii) Summing up of the position until the 18th century viii) To what extent our residual tradition has assimilated the influence of the West inform and content ix) What is the exact nature of the conflict between our old surviving tradition and the new European theatre and why we have failed to absorb good foreign influence x) Is the failure to achieve the synthesis between the old Indian Theatre and the European drama due to the inability of writers and artists of India or is it due to some other factors of an ideological psychological or material kind? xi) How to benefit from Western methods xii) What actually happened in the West xiii) Is it possible to follow the West by founding a chain of theatres and by mounting plays on the Western pattern xiv) The virtue of the amateur xv) The necessity of learning the technique of the theatre
"
Government of India
