Description :In this paper author’s propose to deal mainly with the relations between movements and institutions in Indian theatre. The emphasis of this paper, on the other hand, will be on theatre-histories of a kind which, lamentably. We do not have in this country. Different angles need to be considered to understand the relations between institutions and movements in Indian theatre. By imparting theatre education of a specific kind and thus shaping attitudes in its pupils, and the audience watching its productions.. Movements of all kinds find it increasingly difficult to present alternative viewpoints and perspectives as NSD strengthens its hold on Indian theatre. The prestige of the School makes it a heavyweight, controlling the country 's idea of theatre·
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Basu, Dilip Kumar
dc.date.accessioned
2017-07-11T00:25:11Z
dc.date.available
2017-07-11T00:25:11Z
dc.date.issued
2000
dc.description.abstract
In this paper author’s propose to deal mainly with the relations between movements and institutions in Indian theatre. The emphasis of this paper, on the other hand, will be on theatre-histories of a kind which, lamentably. We do not have in this country. Different angles need to be considered to understand the relations between institutions and movements in Indian theatre. By imparting theatre education of a specific kind and thus shaping attitudes in its pupils, and the audience watching its productions.. Movements of all kinds find it increasingly difficult to present alternative viewpoints and perspectives as NSD strengthens its hold on Indian theatre. The prestige of the School makes it a heavyweight, controlling the country 's idea of theatre·
Government of India
