Description :This is the third of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. In this series, he pointed out the moment the discussion is about the art stage of any kind of manifestation, the confrontation is with a highly processed reality and also discussed about the musical symbolism is which confined to art music and an added limitation that has been to restrict the consideration to the feeling aspect.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Ranade, Ashok D.
dc.date.accessioned
2017-07-07T02:45:53Z
dc.date.available
2017-07-07T02:45:53Z
dc.date.issued
1987
dc.description.abstract
This is the third of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. In this series, he pointed out the moment the discussion is about the art stage of any kind of manifestation, the confrontation is with a highly processed reality and also discussed about the musical symbolism is which confined to art music and an added limitation that has been to restrict the consideration to the feeling aspect.
Government of India
