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Natankusa : a critique on dramaturgy

  • Author :Paulose, K G
  • Keywords :Sanskrit drama
    Performing arts
  • Issue Date :1994
  • Publisher :Sangeet Natak Akademi, New Delhi
  • Description :The Kriyanrtta, if intended to be an invocation to the deities, should be performed in the Purvaranga itself, to the enjoyment of all, embellished with the attractive accessories of Karana and Angahara, The 'Kriya', as it is inserted amidst the story beyond the perifery of Piirvaranga,cannot claim the status of anauspicious obeisance to the gods.
  • Description :I. Criticism of kriyanrtta; II. Kriyanrtta; III. Kriyanrtta conlcusion; IV. Incogruties in anguliyanka; V. Mantrankam: a criticism; VI. Non persentation of dramatic charaters; VII. Conclusion
  • Source :Sangeet Natak Akademi
  • Type :Article
  • Received From :Sangeet Natak Akademi
DC Field Value
dc.contributor.author Paulose, K G
dc.coverage.spatial India
dc.date.accessioned 2017-07-10T04:03:42Z
dc.date.available 2017-07-10T04:03:42Z
dc.description I. Criticism of kriyanrtta; II. Kriyanrtta; III. Kriyanrtta conlcusion; IV. Incogruties in anguliyanka; V. Mantrankam: a criticism; VI. Non persentation of dramatic charaters; VII. Conclusion
dc.date.issued 1994
dc.description.abstract The Kriyanrtta, if intended to be an invocation to the deities, should be performed in the Purvaranga itself, to the enjoyment of all, embellished with the attractive accessories of Karana and Angahara, The 'Kriya', as it is inserted amidst the story beyond the perifery of Piirvaranga,cannot claim the status of anauspicious obeisance to the gods.
dc.source Sangeet Natak Akademi
dc.format.extent 147-189 p.
dc.format.mimetype application/pdf
dc.identifier.uri http://hdl.handle.net/123456789/3912
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Sanskrit drama
Performing arts
dc.type Article
dc.identifier.issuenumber 111-114
dc.format.medium text
dc.contributor.translator Paulose, K G

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