Description :This article is based on "performing arts and narrative" presented at the International Seminar on Narrative organized by Sahitya Akademi. Narrations have developed into kirtana, kathana, varnana, akhyana, nivedana and other processes. The aesthetic benefits accrue because the narrative borrows or assimilates time-manipulation and ambiguity from music character creation and role depiction from drama. A combining of narrative and performing arts shifts and lifts the problem to an aesthetic plane where two arts and not two activities are engaged in competition.
Description :Presented at the international seminar on narrative organized by Sahitya Akademi 22-25 Feburary 1990.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Ranade, Ashok D.
dc.date.accessioned
2017-07-05T01:55:26Z
dc.date.available
2017-07-05T01:55:26Z
dc.description
Presented at the international seminar on narrative organized by Sahitya Akademi 22-25 Feburary 1990.
dc.date.issued
1990
dc.description.abstract
This article is based on "performing arts and narrative" presented at the International Seminar on Narrative organized by Sahitya Akademi. Narrations have developed into kirtana, kathana, varnana, akhyana, nivedana and other processes. The aesthetic benefits accrue because the narrative borrows or assimilates time-manipulation and ambiguity from music character creation and role depiction from drama. A combining of narrative and performing arts shifts and lifts the problem to an aesthetic plane where two arts and not two activities are engaged in competition.
Government of India
