Description :This is the first of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. It was felt thatan Indian view of these-occurring in the discipline of musicology worldwideneeded to be put forward. Besides, a degree of conceptual clarity would surely aid our efforts at documentation, conducing -to a clearer picture of the Indian musical heritage. 'Performance and its Peripherals' and 'Music and Symbolism'-the two other articles in the series will appear in forthcoming issues of Sangeet Natak, We welcomereadars' responses to the series.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Ranade, Ashok D.
dc.date.accessioned
2017-06-22T09:51:08Z
dc.date.available
2017-06-22T09:51:08Z
dc.date.issued
1986
dc.description.abstract
This is the first of a series of three articles by Ashok D. Ranade addressed to certain conceptual problems in the study of music. It was felt thatan Indian view of these-occurring in the discipline of musicology worldwideneeded to be put forward. Besides, a degree of conceptual clarity would surely aid our efforts at documentation, conducing -to a clearer picture of the Indian musical heritage. 'Performance and its Peripherals' and 'Music and Symbolism'-the two other articles in the series will appear in forthcoming issues of Sangeet Natak, We welcomereadars' responses to the series.
Government of India
