Rasa theory and Indian Music

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Author :Sharma, Premlata
Keywords :Rasas
Literature--Aesthetics
Issue Date :1970
Publisher :Sangeet Natak Akademi, New Delhi
Description :The implications of the subject Rasa and Indian Music according to my understanding, are that on one hand a general outline of the traditional Rasa-theory is to be attempted and on the other hand, the applicability of the said theory to the context of Indian music has to be examined. "Indian music" in this paper will be restricted to raga-music of the modern times
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi

DC Field	Value
dc.contributor.author	Sharma, Premlata
dc.date.accessioned	2017-06-19T05:03:27Z
dc.date.available	2017-06-19T05:03:27Z
dc.date.issued	1970
dc.description.abstract	The implications of the subject Rasa and Indian Music according to my understanding, are that on one hand a general outline of the traditional Rasa-theory is to be attempted and on the other hand, the applicability of the said theory to the context of Indian music has to be examined. "Indian music" in this paper will be restricted to raga-music of the modern times
dc.source	Sangeet Natak Akademi
dc.format.extent	57-64p.
dc.format.mimetype	application/pdf
dc.identifier.uri	http://hdl.handle.net/123456789/2840
dc.language.iso	en
dc.publisher	Sangeet Natak Akademi, New Delhi
dc.subject	Rasas Literature--Aesthetics
dc.type	Article
dc.identifier.issuenumber	16
dc.format.medium	text

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