Keywords :Musical aesthetics
Music--Philosophy and aesthetics
Music--Aesthetics
Issue Date :1980
Publisher :Sangeet Natak Akademi, New Delhi
Description :Rabindranath Tagore was both a composer and a critic in the field of music. Apart from composing more than two thousand songs as compiled in his Geetabitan, he also expressed his views on the art of music in the forms of public lectures, essays, letters, diaries and discussion, etc. Present paper is the study of his work and helps us to understand the evolution of Tagore's thoughts on music and the main points of his musical aesthetics.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Ray, Sitansu
dc.coverage.spatial
India
dc.date.accessioned
2017-06-21T07:28:59Z
dc.date.available
2017-06-21T07:28:59Z
dc.date.issued
1980
dc.description.abstract
Rabindranath Tagore was both a composer and a critic in the field of music. Apart from composing more than two thousand songs as compiled in his Geetabitan, he also expressed his views on the art of music in the forms of public lectures, essays, letters, diaries and discussion, etc. Present paper is the study of his work and helps us to understand the evolution of Tagore's thoughts on music and the main points of his musical aesthetics.
dc.source
Sangeet Natak Akademi
dc.format.extent
17-43 p.
dc.format.mimetype
application/pdf
dc.identifier.uri
http://hdl.handle.net/123456789/3145
dc.language.iso
en
dc.publisher
Sangeet Natak Akademi, New Delhi
dc.subject
Musical aesthetics
Music--Philosophy and aesthetics
Music--Aesthetics