Description :The present paper is the practice towards the facilities Nigerian theatre of maintaining its controversial, imaginative and militant qualities and that its efforts will not be diverted into the harmlessly folkloristic, the politically inane and the exotic-as has happened in several other African countries of theatres in the Nigeria.
Description :First read as a paper at the National Seminar on Aboriginal Arts in Australia.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Beier, Ulli
dc.coverage.spatial
Nigeria
dc.date.accessioned
2017-06-16T09:46:40Z
dc.date.available
2017-06-16T09:46:40Z
dc.description
First read as a paper at the National Seminar on Aboriginal Arts in Australia.
dc.date.issued
1973
dc.description.abstract
The present paper is the practice towards the facilities Nigerian theatre of maintaining its controversial, imaginative and militant qualities and that its efforts will not be diverted into the harmlessly folkloristic, the politically inane and the exotic-as has happened in several other African countries of theatres in the Nigeria.
dc.description.sponsorship
Sponsored by the Australian Council for the Arts, Canberra, May 1973.