Skip to main content
 
 


 
QR Code for http://wzcc.nvli.in/traditional-indian-theatre-and-kabuki-passage-towards-total-theatre

Traditional Indian theatre and Kabuki: a passage towards a total theatre

  • Author :Choudhuri, Indra Nath
  • Keywords :Kabuki
    Theater--Japan
  • Issue Date :1983
  • Publisher :Sangeet Natak Akademi, New Delhi
  • Description :Traditional Indian Theatre like Kootiyattam, Kathakali, Yakshagana, Jatra etc., belonging to different regions of India, is related to village (folk) community and classical Sanskrit theatre to the urban sophistication, but both these theatre forms are interrelated with each other-both affecting and continue to affect one another. Kabuki, like traditional Indian theatre came into flower in the 17th century. It can be termed as the popular live drama of Japan to distinguish it from the puppet drama or Joruri and from the Noh play, which from its fixed repertory and partial simplicity might well be called the classical drama of Japan. This paper deals with three aspects of these two theatres: stylization, participation and total theatre.
  • Source :Sangeet Natak Akademi
  • Type :Article
  • Received From :Sangeet Natak Akademi
DC Field Value
dc.contributor.author Choudhuri, Indra Nath
dc.date.accessioned 2017-06-22T07:11:33Z
dc.date.available 2017-06-22T07:11:33Z
dc.date.issued 1983
dc.description.abstract Traditional Indian Theatre like Kootiyattam, Kathakali, Yakshagana, Jatra etc., belonging to different regions of India, is related to village (folk) community and classical Sanskrit theatre to the urban sophistication, but both these theatre forms are interrelated with each other-both affecting and continue to affect one another. Kabuki, like traditional Indian theatre came into flower in the 17th century. It can be termed as the popular live drama of Japan to distinguish it from the puppet drama or Joruri and from the Noh play, which from its fixed repertory and partial simplicity might well be called the classical drama of Japan. This paper deals with three aspects of these two theatres: stylization, participation and total theatre.
dc.source Sangeet Natak Akademi
dc.format.extent 38-48 p.
dc.format.mimetype application/pdf
dc.identifier.uri http://hdl.handle.net/123456789/3303
dc.language.iso en
dc.publisher Sangeet Natak Akademi, New Delhi
dc.subject Kabuki
Theater--Japan
dc.type Article
dc.identifier.issuenumber 70
dc.format.medium text

Partners

Color Switcher