Keywords :Zeami, 1363-1443
Dramatists, Japanese
Japanese dramatists
Issue Date :1980
Publisher :Sangeet Natak Akademi, New Delhi
Description :This article deals with some important concepts of acting and actor training put forth in the essays written later than Kadensho, in the perspective of their relationships with corresponding ideas in Kadensho. Zeami wants a performance which is always accompanied by human intention and consciousness which nevertheless goes beyond boundaries of human intention and consciousness and comes closer to accord with the perfect order of nature by means of lifelong training and discipline.
Source :Sangeet Natak Akademi
Type :Article
Received From :Sangeet Natak Akademi
DC Field
Value
dc.contributor.author
Ishii, Tatsuro
dc.date.accessioned
2017-06-21T09:04:16Z
dc.date.available
2017-06-21T09:04:16Z
dc.date.issued
1980
dc.description.abstract
This article deals with some important concepts of acting and actor training put forth in the essays written later than Kadensho, in the perspective of their relationships with corresponding ideas in Kadensho. Zeami wants a performance which is always accompanied by human intention and consciousness which nevertheless goes beyond boundaries of human intention and consciousness and comes closer to accord with the perfect order of nature by means of lifelong training and discipline.
dc.source
Sangeet Natak Akademi
dc.format.extent
5-19 p.
dc.format.mimetype
application/pdf
dc.identifier.uri
http://hdl.handle.net/123456789/3169
dc.language.iso
en
dc.publisher
Sangeet Natak Akademi, New Delhi
dc.subject
Zeami, 1363-1443
Dramatists, Japanese
Japanese dramatists